With the complex piecing on this quilt, it was begging for custom quilting. I had a fair amount of negative space to play with, now to decide on what to put where.

I loaded it on the longarm, using the same print as in the border between the pinwheels and the flying geese for backing. That print is also the light background print in the medallion. It was from a bolt I had bought at Foust, and thankfully, this finally used it up.

One of the things I learned on a recent class on quilt judging is that judges like ...
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